I have no idea, really, why I started watching The Voice. Generally speaking, I have very little interest in “reality” television or in singing contests. So, what’s to account for my unaccountable affection for this singing contest? This is actually something that gave me a bit of pause, but in the end it seemed to remind me of some of the best qualities of writing workshops, especially those intensive writers conferences, like Bread Loaf. When the coaches get down to coaching, to criticising and complimenting their contestants—and despite all the “I love yous”—you get the impression that they tend to treat these mostly young, sometimes very young, people as peers, with real affection for their talent.
The show has even gotten better this year with the addition of Shakira and Usher. The latter, in particular, adds a kind of adds a kind of wacky athleticism to the program.
It’s clear, from the outset, that the contestants are talented, even if much of the music I don’t care much for, and some of them are extraordinarly talented, and so there’s none of that sort of drive-by gawking at people making fools of themselves that I once saw on American Idol. All of the coaches are clearly committed to craft, and so when they’re working through technical aspects of performances, or criticizing them, you can see that they know what they’re talking about. Wouldn’t it be cool to have that kind of show (what’s the tier below basic cable?) and coaching for writers?
In my more fatuous moments, I imagine a program called The Pen. The panel would be eclectic. I imagine Stephen King or even George Pelecanos as the Blake Shelton Continue reading
I completed my novel, THE BOB DELUSION, earlier this year and more or less haven’t touched it since. That’s because “completed” and “finished” are two different things. I’m utterly convinced that it’s a good and in some ways inventive novel (if I didn’t believe that, I wouldn’t have spent six years working on it.) Right now, it’s the best that I can make it on my own. I’ve got it out on submission to about 15 agents (although I’m not even totally certain that I am going to need one) and one publisher (the real point of this post), and though it’s been a while, I have heard from only two. Given that it’s still out there, you can guess what the response was.
It’s remarkable to me how much the publishing industry has changed in the years that have intervened between the time when I worked at Berkley Publishing, The Ellen Levine Agency, and later, Viking Penguin—this was the late eighties and early nineties, before you were born, probably. Before Putnam Berkley and Viking Penguin made nice-nice and merged, or whatever the deal was. Of course, a lot of this change has to do with computers, but mostly with the Web. When I was at Berkley, David Shanks was the only one who had a computer in his office. At Viking, I don’t remember seeing very many, except on the desk of people who set the type. But the biggest change for me is the submission process. Continue reading
Both MacUpdate and MacLegion have attractive $49.00 bundles of Mac software going right now. I’ve bought a few of these bundles in the past, and to my mind, the MacUpdate one is slamdunk easy, as it includes the latest version of Parallels, which is worth the price by itself. But MacLegion also has Toast, which is also worth the price by itself.
Here’s what MacUpdate’s bundle looks like:
And here’s the MacLegion bundle:
Novels aren’t like children, even if that’s how the old saw has it.
Let’s just stipulate that writing a novel is a strange endeavor. You spend perhaps years romancing your imagination, creating characters, putting them through awful and wonderful situations, tragedies and silliness. And then the novel is complete and you have to let it go.
I’d like to thank everyone who has downloaded the Kindle ebook edition of The Final Appearance of America’s Favorite Girl Next Door. It’s been free for a couple of days now, and I’m really thrilled that thousands of people around the world have taken the time to download and, I hope, read it.
If you do read it, please take a few moments to review it. I mean this sincerely — love it or hate it, or somewhere in between — let other people know what you think.
The good folks at Free Kindle Books and Tips have made it easy to find, wherever you happen to be. Just use this smart link.
Happy holidays and happy reading.
Today through Christmas Eve, you can get the ebook version on Amazon for FREE. Just use this handy link!
If you do get it, please review!
Way back when (1988, to be exact), I bought, read, and loved James Salter’s book Dusk and Other Stories, which won the PEN/Faulkner Award for Fiction in 1989. So I was excited to hear him read when he accepted this year’s PEN/Malamud Award for excellence in the short story at the Folger last weekend. I have a fairly extensive collection of autographed books—this happens if you go to readings and writers conferences and tend to fetishize books—and so Continue reading
I have just (finally) published The Final Appearance of America’s Favorite Girl Next Door, and it’s now available on Amazon, sort of. Go and get yourself a copy. Or a few hundred.
It may take several days for it to be available on Amazon itself, but it should be up soon.
Final Appearance is finally available.
My old pal Peter DeMarco has published his first novel/novella, and it’s a really strong piece of work. My over-the-top blurb (you might think) has been ratified by the nomination of one of the chapters for a Pushcart Prize (the novella unfolds in not-quite-discrete stories or story fragments), and for my money, the annual Pushcart Prize anthology is one of the best ways anyone serious about reading good writing can get just oodles of it.
But back to Pete’s book, which you can find on Amazon here:
(You can read more about it by downloading this pdf flyer from the publisher, Pangea Books.) Continue reading
Saw Alan Cheuse and Alyson Foster reading tonight At the Hill Center, a terrific new (old) space for the arts on Capitol Hill. Foster is a “new” writer, and Cheuse is, of course, the voice of books on NPR. Foster read from a new novel she’s sold but hasn’t published (or finished) yet, GOD IS AN ASTRONAUT, and it was terrific. Wisely, she read from the beginning and I can’t wait to read this novel. She got an amazing introduction from Cheuse from this first in a series of local readings that PEN/Faulkner is hosting, which will feature writers who know each other and admire each other’s work.
Alyson Foster reading from GOD IS AN ASTRONAUT at the Hill Center on Capitol Hill.